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"放大之后，瓶口處的火焰青
div這抹藍色究竟是什么？它為何出現在這個位置？難道是工匠的無意之舉，還是另有深意？一連串的疑問在宋青云心頭浮現，讓他不由得開始回憶起有關乾隆時期瓷器工藝的種種細節。
他想起雍正七年，時任督陶官的唐英曾派心腹吳堯圃深入調查研究鈞窯配方，并稱其成功與否關乎「鐘鼎尊罍之國寶重器」。而窯變釉便是在此時誕生，作為仿宋鈞釉創燒的一種新品種，其釉面顏色多變，紅、藍、紫、白皆有，其中偏紅的稱為「火焰紅」，偏藍的則稱為「火焰青」。
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